New performance hit according to the play by Ivan Vyrypayev with brilliant actors: on the stage Evgeny Mironov, Ksenia Rappoport, Chulpan Khamatova of the Photo: Sergey of Bobyliov/TASS On the stage at least scenery: microphone yes ten transparent chairs. One behind one participants of the Iranian conference sit down on them. A performance — a series of monologues, that is papers which are read by participants. Writer, scientist, priest, journalist. Curtains, Smekhov, Mironov, Dapkunaite. All characters Danes, action happens in Copenhagen what sometimes remind of that it did not seem that the speech about the fate of Russia though collision of civilizations is discussed, it seems. Well, say, there are universal human rights which are guarded by the West, and on the other hand whether it is possible to discuss the events in Iran that who not up to the end understands Islam. The director Victor Ryzhakov comments. Victor Ryzhakov is a director "For me and the companies of actors it is very important story, and business even not in relevance, and in need to pronounce these things to himself and to share it with the viewer — this importance is obvious to us. It is about it senseless to argue. A performance — an action which will allow to talk about what it is a little not accepted to speak about. Text, absolutely unusual for theater". This play by Ivan Vyrypayev was already shown in Moscow in the winter, but then the effect was absolutely other: the playwright himself put a performance in Warsaw. It is played in English and give to the viewer simultaneous interpretation — on Polish or Russian, respectively. It absolutely changes perception, the expert of "Golden Mask" Anton Hitrov says. Anton Hitrov the expert of "Golden Mask" "Is such philosophical text, quite grandiloquent, pretentious — at the same time quite fascinating. This intellectual adventure for the viewer. But when you hear it in translation, it turns out "Tatyana's Letter". Pushkin wrote that in the original the text is better. That Vyrypayev made — we have a feeling, that perhaps we not up to the end understand these characters that perhaps the translator something told lies that their speech another, not so literary. He director's reception helped the text — from what very strongly believe what happens on the stage when you watch its Polish version. In terms of quality of dramatic art it is the brilliant text. It is the play which forces the audience to conduct an internal discussion constantly: and what would be told on it by the real experts? There all the time occurs cogitative work, and it wildly tightens". The Theatre of the nations reads the text in Russian at once, but from it nothing changes: on force of an applause at the end of monologues it is possible to understand what subjects resound with moods of capital beau monde (and at premier performances there were all — from Timakova to Serebrennikov). Though force of each monologue great depends on the one who plays — structures every time different, they should be specified on the website in advance. The following block of displays begins on May 11. However, there are no tickets in official cash desk for them any more. To add BFM.ru to your sources of news?
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