In Tretyakov gallery on Crimean to the Shaft Aemilia and Ilya Kabakov' exhibition "Opens in the future will take not all". The exposition with such name has come to the end in the Hermitage not so long ago. What will the Moscow version differ in? Work "Room #3. The person who has departed to space from the room", "Ilya and Aemilia Kabakov presented within the exhibition. In the future will take not all". Photo: Alexander Demyanchuk / TASS "In the Future Will Take not All" Exhibition in the Hermitage and Tretyakov gallery — a part of the large-scale project of these platforms with the London gallery Tate. In each of these spaces she differed not only a configuration of rooms: if in St. Petersburg there was, say, a well-known "Red car" presented by Kabakov to the Hermitage, then on Crimean to the Shaft — it is a lot of early works made in the 1960th years in the USSR. Zelfira Tregulova the director of the State Tretyakov gallery "We a little bit have in a different way built all exposition, and installation which wasn't neither in London, nor in the Hermitage, "The empty museum" was added. The subject "How to Meet an Angel" is removed to the certain hall which finishes all exposition. You get to this hall, having passed on the labyrinths of a corridor of the installation devoted to the artist's mother frightening by the darkness and infinity. Having left it, you get to the hall where you begin to realize that each person has an opportunity to meet an angel and depends on the person, this meeting will take place or not. Also you leave exhibition spaces with feeling of a catharsis". Ilya Kabakov — the most known in the West and the dearest modern Russian artist. Works of the Patriarch of Moscow of conceptualism are on sale for millions. Ten years ago written in the 1982nd on Bug plywood (that is without Aemilia) I was sold at auction almost for 6 million dollars. It only Russians are so concerned by money, Aemilia of Kabakov says: Aemilia of Kabakov the artist "Always a little bit confuses me. To say that it is the dearest artists only here occurs. The Russian correspondent has approached and has asked: your picture has left for so much money how many you have got awards? I'm saying: you the only person from the whole assembly of journalists which has asked a question how many money was in this award. It is a lot of money. Also with pictures. We don't estimate the work at cost. She, maybe, costs today 6 million, and tomorrow won't cost anything, or perhaps there will be 100 million. We can't know it, and if we concentrate or be guided by the cost of the works, it isn't necessary to be the artist, it is necessary to become the businessman — much more favourably". Opening of an exhibition the only event which isn't connected with Kabakov this week: at movie theater of "Garage" — a premiere of the documentary shot by his order by the journalist Anton Zhelnov "Poor people. Kabakov", in a hire since September 13. To add BFM.ru to your sources of news?
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