About globalization, mentality and political turbulences in the world of dance the prima ballerina of the Maryinsky Theater has had a talk with Evgenia Smurygina Diana Vishneva. Photo: Vyacheslav of Prokofiev/TASS In Moscow and St. Petersburg proceeds a festival of modern choreography Context. Diana Vishneva. On October 15 all capital beau monde has gathered for opening in the Stanislavski and Nemirovich-Danchenko Music Theatre. The prima of Mariinsky theater Diana Vishneva has told Roman Abramovich about dance and thanks in an interview to the observer of Business FM Evgenia Smurygina. Present Context already the sixth. For these years you have done huge work on advance of modern choreography. How has perception, in your opinion changed? Diana Vishneva: On the one hand, six years not such big term, with another — the festival has gained absolutely other scope. Then all asked me: why to you it? But I from the very beginning believed in myself, in the forces and the team. We feel huge gratitude both from audience, and from professionals. As a result of our work air, the atmosphere, the repertoire of big theaters has exchanged since then. A lot of things depend on what platforms are involved what choreographers come. Some tours become historical: so was with legendary troupe of Martha Graham, and this year to Russia actors of the National ballet of Canada have for the first time arrived, and we have a sold-miss for two days. It is very much a lot of work: I plunge into each project, I go to the company and I work. Therefore there is a trust to a name which it is possible to follow, and it is big loading and responsibility. It is important to emphasize that Context doesn't come to an end all year: for example, Perm and Yekaterinburg became the centers of modern choreography already. You have told about the National ballet of Canada, it is the main premiere of this season. And it was difficult to bring to you them? We can't forget about a foreign policy situation. Do you as the person spending a part of time in New York, and a part in Paris, feel this tension? Perhaps, it is more difficult to you to agree? Diana Vishneva: 13 years I have worked in the American Ballet Theatre company, but it was before political turbulences, I never suffered them. Culture — very important bridge for us, it is necessary to cement and fundamentirovat as much as possible it. Difficulties are connected with finance. We are always grateful to those who support us. For example, without the Ministry of Culture it should very hardly. It is expensive to do a festival? Diana Vishneva: It is very expensive and very labor-consuming history. From the organizational point of view people, a human factor are very important for me on the first place. It is necessary that the team understood that a festival to unite and create. It demands from each person, beginning from the volunteer, finishing me, the director of a festival, big devotion. As far as did you increase the budget for the last six years? Diana Vishneva: Huge budget. I won't give number — I am the artistic director. In the booklet with remarkable polygraphy which you have published this year there are thanks конкретн
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